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“The
filming locations we will visit may not be in any logical order.” |
- Mid
Eastern Division Committee, ‘Genevieve 50 Years On’ Road Book
(2002) |
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“It wasn't
folly at all! It was simply glorious!” |
- Mr. Toad, describing a motor-car experience in Kenneth Grahame’s
The Wind In The Willows (1908) |
Above: (top) Evert Louwman and Genevieve
(bottom) The Spyker |
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"The Genevieve 50 Years On Rally"
By Don Brockway |
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It started
as Harold Pritchard’s idea: create a fiftieth anniversary rally in
2002… that toured the locations where “Genevieve” was filmed in 1952. |
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Harold Pritchard dressed as The Jolly Woodman's
devious inn-keeper
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Turning the
idea into reality involved well over a year’s worth of preparation.
Doubtless, there were moments during this period of protracted
planning, which came to involve many Mid East Division
members, when identifying the rally as “Harold’s suggestion” served
more to assign blame… than to give credit.
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But the
“Genevieve 50 Years On” rally did take place during the
last weekend of July, 2002, and its ambitious goals were accomplished
in nearly flawless fashion… in, I might add, nearly flawless weather.
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This was no
easy accomplishment. The rally was a meticulously planned,
well-organized, thoroughly pleasant weekend… which had
as its sole basis an unplanned, disorganized,
and (according to those who were there) thoroughly unpleasant
experience – filming “Genevieve.”
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(Below)
Filming "Genevieve"
in Hyde Park, 1952
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Elizabeth
Nagle described the filming of “Genevieve” in Veterans of The Road
(1955) as “…turmoil and confusion; starting and stopping; endless
waiting; driving to and fro; standing and looking; watching and
wondering; orders, counter-orders and constant repetition.”
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The cast
grumbled, the weather was wet and cold, and most days began without a
clue as to where the next scenes would be shot. |
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"We would
set off each morning,” writes cinematographer Christopher Challis in
his memoir, Are They Really So Awful? A Cameraman’s Chronicle
(1995), “...and take advantage of whatever turned up, often stopping
to ask an astonished local if he or she knew of a watersplash, a sharp
left-hand bend or a small pub with a courtyard, depending on what
requirements had been forced on us by the weather and the
ever-changing schedule.” |
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In sharp
contrast to the slapdash, haphazard, “seat-of-the pants” approach to
the roads of Buckinghamshire employed by the film crew
in ‘52, the 2002 rally crew had its routes
mapped and specified to the tenth of a mile. Each road was carefully
selected to take rally participants on a lovely drive that wound past
a literal A through Z of identifiable “Genevieve”
filming locations, all thoroughly researched and presented in “then
and now” photos in a glossy limited-run ‘Road Book’ given to
participants. |
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The ’50
Years On’ rally office opened at noon on Friday, fully-prepared and
organized to handle registration and deliver important instruction for
the competition. The committee team, headed by Michael Edwards,
Stephen Curry, Karen Moore, Harold Prichard, John Trett and Pat Jones
mentally switched gears at noon from ‘planning mode’ to ‘execution
mode.’ The weekend weather looked good and all seemed to be in order.
But anticipation turned to puzzlement when the expected flood of
entrants started out instead as a slow, steady trickle. Where was
everybody? Had someone spread glue on the roads? |
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Someone
had.
A crash involving a tanker truck had spread glue over a portion
of the M25 near Heathrow, causing the motorway to be closed for more
than twelve hours. Sitting amidst the thousands who experienced
multi-hour delays were significant numbers of VCC members headed for
the rally. Nothing like a monumental traffic jam to kick off a weekend
devoted to the pleasures of the open road. |
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The Rally Team:
(left to right) Harold Pritchard, John Trett,
Stephen Curry, Michael Edwards, Karen Moore |
The office
remained open substantially past the 6:00 p.m. closing specified on
the rally’s timetable, and many of the late-arrivers had chilling
traffic stories to tell. Nearly all made it to dinner by 7:30,
however, and by 9:00, dessert had been served and the opening program,
“Memories of Genevieve,” began. As the rally’s keynote event,
“Memories of Genevieve” included Carlton’s recently-produced “Profile
of Genevieve,” an excellent ‘making-of’ documentary, as well as brief
introductory ‘live’ presentations from the dais and selected members
of the audience. |
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Stephen
Curry had asked earlier in the day if I would be willing to say a few
words and I pretended to reluctantly agree, having spent the entire
flight from America writing a series of short remarks in anticipation
of just such a request. |
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My lone
qualification as a speaker was the creation and development of
this website. When my turn came, I boldly
stated my opinion that Genevieve is a “perfect film.” I said this with
the same conviction and sincerity that Graham Robson summoned up when
he introduced me to those present as “…the American nutter with the
website.” Since I’ve been told that one must be mad, eccentric, or
both to be a member of the VCC, I considered the
introduction proof positive that I had been welcomed into the fold. |
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Other than
the brief digression when the floor was given over to me, the Friday
night program turned out to be the first of many rally highlights.
“These are the little bits that are sometimes hard to communicate to
people who weren’t there,” says Stephen Curry. “Everybody on the rally
thought it was a wonderful evening. Even those of us who had put the
program together would have been hard-pressed to imagine how wonderful
it would turn out to be.” |
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Among the
most moving moments that night were the remarks of Peter Tacon, who
still owns and drives the 1903 Humber Forecar he owned and drove
during the filming of “Genevieve” fifty years ago. Though his health
has created some recent difficulties, Peter spoke eloquently and with
great feeling about his “Genevieve” experiences. You could have heard
a pin… or perhaps even a tear… drop as Mr. Tacon reminisced. The
moment he concluded, the room erupted into tumultuous applause.
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The next
day, Mr. Tacon became the only VCC member to drive the
same car in the Genevieve rally, fifty years on… that he had driven in
“Genevieve,” fifty years before. |
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Peter
Venning, who bought the two Darracqs which were to merge to become
Genevieve in the mid-1940’s (for £25!), now lives in Spain. Michael
Edwards – whose dedication and contribution to the success of the
weekend are beyond measure – somehow arranged for a videotaped
interview with Peter, who responded to questions about Genevieve’s
original restoration. I’m sure I was not the only member
of the audience who occasionally found the intricate mechanical
details of this process beyond my ability to comprehend, but the
clarity of the recollection, the reverie it inspired in Mr. Venning,
and the interview’s impact on the majority of the audience, who
do know their way around a veteran motor, were simply a joy to
behold. |
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Henry Cornelius's personal
leather-bound
copy of the "Genevieve" script |
Marjory
Cornelius, the film’s costume designer and wife of director Henry
Cornelius, was scheduled to be guest of honor at the Friday dinner,
but sadly, she passed away mere days before the event. Mrs. Cornelius
had been an enthusiastic supporter of the rally in its planning
stages, making her personal and private archives available to the
rally organizers. |
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The wonderful ‘Road
Book,’ the pet project of Michael Edwards, reproduces pictures,
storyboards, and original script pages from Mrs. Cornelius’s collection.
The book’s first page acknowledges that without Mrs. Cornelius’s help, the
book never would have been created. Mrs. Cornelius’s absence was a shock
to all, especially to the members of the rally team who had worked with
her so closely. |
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Providentially, Michael had videotaped an interview between Harold
Pritchard and Mrs. Cornelius, and an edited version was created in
time for presentation during the rally’s first evening. Warm, witty,
and full of fond ‘backstage’ stories about “Genevieve,” Mrs.
Cornelius’s video charmed and touched each member of the audience,
serving as both a bittersweet farewell and loving tribute to an
exceptional woman. |
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Ranking
high among the many accomplishments of the rally team was the sight
that greeted people in the car park on Saturday morning, when
Genevieve herself, having spent the night parked behind velvet ropes
in the lobby of the hotel, ventured out into daylight. |
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She was guided by
owner Evert Louwman to a parking spot next to the other “car star” of
Genevieve, the beautiful Spyker, which would be driven in the rally by
Geerd van Helden. To see the two rivals together once again was a magic
moment, but the participation of the two veterans in the “50 Years On”
rally was by no means a certainty when plans for the rally were first
formulated. |
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Credit for their appearance must go not only to their owners, who were
willing to share these treasures, but to Bonham’s, which sponsored and
shipped the cars… and to Tim Moore, whose persuasive and diplomatic
efforts on behalf of the Mid Eastern Division ultimately succeeded in
gaining commitment to bring the Spyker and Darracq into the rally and back
to the places where they had been filmed fifty years before. |
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At 8:00,
the marshals met; at 8:15, the rally office opened; and right on time,
at 9:30 Saturday morning, the first veteran was sent on its way,
making a left out of the hotel’s car park and beginning one of three
Saturday routes: The Kendall (39.3 miles), The Gregson (65.5 miles),
or the Claverhouse (84.6 miles). Drivers also had a choice of average
speeds to maintain. |
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The day was
sunny and hot; the scenery beautiful, and there was no glue all over
the roads. What more could one ask for? |
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The first
major filming location visited was Moor Park Gate, with its dramatic,
readily identifiable arch, looking nearly the same as it did in 1952.
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Alan
Trevennor, who did much of the initial location-finding, first
published here on the
website, has looked at the “coffee-spilling scene” at Moor Park quite
carefully and identified a cluster of continuity errors in the scene,
as Genevieve appears first on one side of the road, then the other,
then in a totally different location altogether. This is what comes of
picking shooting locations on the spur of the moment. |
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Carolyn Brockway ponders
her self-heating coffee;
Jennifer Hinson and John Trett at Moor Park Gate |
Rally
participants were given self-heating cans of coffee (a marketing idea
which Nestle has since abandoned) and while the rally instructions
urged us to “partake of your coffee as they did” – i.e., spill it on
yourself – most people were so intrigued and/or frightened by the
mechanics of the self-heating can that if anything, the coffee was
handled more carefully and gingerly than usual. |
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A second
filming location on Saturday was a bit flooded – as well it should
have been. This is the ford where Kay Kendall had to get out and push
the Spyker.
“We were lucky there was water in it during the summer” says Stephen. |
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The
ford proved an irresistible photo opportunity. I was lucky enough to
be riding with Jennifer and Barrie Hinson on Saturday, who obligingly
backed their 1912 Cadillac up for a second run through the ford,
allowing me to jump out and snap pictures… and allowing my daughter
Carolyn to join Jennifer for a mock pushing photo staged just at the
edge of the ford so as to keep their feet dry. |
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Saturday’s
lunch was at four pubs – two of which feature prominently in the film
(The One Pin and The Jolly Woodman); one which can be seen in the
background (Ye Olde Green Mann) and one which is not seen in the film,
although much filming was done in its environs (The Yew Tree). In the
film, a conspiratorial inn-keeper in league with the McKims sends the
Spyker back-tracking from The Jolly Woodman toward the scene of a
(non-existent) accident. Though the inn-keeper’s appearance is brief,
it is memorable. Similarly memorable on the rally route was Harold
Pritchard, who appeared at The Jolly Woodman dressed as the inn-keeper,
doing such a spot-on impersonation of the character that it left
me momentarily disoriented. Or maybe it was gasoline fumes. |
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Also seen
on Saturday were other filming locations, including The Mill (in
better shape today than it was in ’52) and The Pumping Station (also
in good repair).
To reach these locations, we
traveled down many beautiful, though narrow, country lanes. More than once
I had to duck to avoid being hit by a branch full of leaves… and more than
once, I
forgot to duck and did get hit.
I saw
areas of the countryside I never would have seen. As someone who has
traveled the actual London-to-Brighton route, I noticed that
the scenery did not at all match that encountered between London and
Brighton. |
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As the
filmmakers predicted, however, no one was paying the slightest bit of
attention to the backgrounds… they were too busy following the story
and the antics of the characters. |
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This was
not the case, however, on Saturday night, when a lovely
16mm print of “Genevieve” was screened for rally participants back at
The Bellhouse Hotel. |
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I have seen
“Genevieve” with many audiences, but never with an audience comprised
almost exclusively of VCC members who had spent the day at various
locales seen in the movie. Each time a recognizable background would
pop into view, an audible murmur would ripple through the room. “We
decided to show the film after a day of location
rallying for precisely that reason,” says Stephen Curry. |
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And it was
not just the backgrounds that audience members identified. |
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Lay
(non-VCC) audiences laugh at Genevieve due to the silliness of a
particular situation or the reactions of the characters in those
situations. It is the strangeness of both the behavior
and the endeavor that is so funny. |
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The laughs
from the VCC audience are quite different. It is the laughter of
recognition. During certain scenes, I saw fingers point
across the room to others who were known to act in precisely the same
way… and I saw elbows gently but firmly nudging spouses as if to say,
“That’s you up there.” |
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“The film
does still strike a chord,” says Stephen Curry. “We’re thinking, ‘been
there, acted like that, said that, done that,’” he chuckles. |
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After the
film, there was a session of prize giving for those who had done well
on the day’s rally… and those who had done well on the fifty-question
“Genevieve 50 Years On Trivia Quiz.” And while I am tempted to say
that I take a back seat to no one when it comes to “Genevieve,” the
truth is, I have been lucky enough to take a back seat on numerous
occasions, specifically the back seat of a veteran, a highly prized
commodity in events such as the one under discussion. In any case, I
would not have done well on the quiz, with its impossibly difficult
questions (According to Big Ben, at what time did Ambrose first drive
over Westminster Bridge?) |
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Another Rally Team Shot:
(left to right) Pat Jones, Harold Pritchard,
Stephen Curry, Michael Edwards, John Trett |
The quiz
was won by the Tunnicliffe family who answered 46 of the fifty
questions correctly. Sarah had entered her Leon Bollée, but it was out
of order and she couldn't bring it, so there was some sort of cosmic
justice in her stunning victory. On the evening Harold reported that
the worst score was 10, achieved by Richard and Pat
Jones. “Since they both sit on various club committees and Pat helped
organize things - the picnics were down to Pat - they should have
known better!” |
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Never mind.
On Sunday morning, as Pat handed out the picnic bags, she achieved her
measure of fame, because the zippered bags themselves were lovely
souvenirs, with the rally logo prominently displayed, and the lunches
these contained… to be consumed later in the day at a picnic next to
the Palace of Westminster… set new standards for lavishness which
future picnics may have a hard time
equaling. |
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Bill and Mary Ellam's 1903
Darracq
Clive and Maureen Hawley in the back;
Bill and Mary up front |
On Sunday,
my daughter Carolyn and I traveled with old friends, Bill and Mary
Ellam, in whose lovely ’03 Darracq I have had the privilege to travel
from London to Brighton twice. Like Jennifer Hinson (and unlike
myself, the first, last, and only time I tried it), Mary is a
first-rate navigator. It was great fun and highly educational to see
both husbands, Barrie and Bill, do precisely what their wives told
them to do, for hour upon hour. |
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The Sunday
route into London incorporated over a dozen additional “Genevieve”
filming locations, but the first of the stops, lettered “M” as in
“McKim,” may well have provided the rally’s finest moment. |
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(Top) Lining up at
Pinewood Studios
(Middle) Bill and Mary and Carolyn outside Pinewood
(Bottom) Driving past the soundstages |
The
veterans – all seventy of them - lined up outside the gate of Pinewood
Studios, where the final days of shooting on “Genevieve” had taken
place, both on outside sets created to match location shots already
completed (Hyde Park, Exterior of the McKim’s flat, the DeBurgh Arms,
et al) as well as on soundstages (The Brighton club, the lobby and
“loud” hotel room at The Grand Palace Marine Hotel, the interiors of
the McKim’s flat, et al). The very last days of shooting at Pinewood
during November 1952 were used to created the few “process” or back
projection shots seen in “Genevieve,” which are easy to spot because
they look almost too beautiful to be real, even in this
“perfect film.” |
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As the cars
rolled up to a section of the Pinewood lot which houses offices and
the studio’s “Hall of Fame,” all eyes were drawn to the woman standing
on the steps. She was wearing a silk chiffon outfit in brilliant
robin’s egg blue. And she was easy to spot because she looked almost
too beautiful to be real… Dinah Sheridan. |
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It was a
heart-stopping moment. When Dinah smiled and looked round, you could
see that, yes, that’s unquestionably the same woman who starred in the
film, she still has that wonderful face. |
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Quirina Louwman and Dinah
Sheridan |
Dinah’s
official assignment was to present two commemorative plaques – one to
Genevieve, one to the Spyker. Each plaque read: “The British Comedy
Society - Genevieve 50th Anniversary – Sheridan, More, Gregson, and
Kendall.” |
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Those who
found a moment to look just beyond Dinah noticed a strikingly handsome
gentleman holding in his right hand a replica of the hat Dinah
discovers and wears early in “Genevieve” – and then again, most
tellingly, near the film’s conclusion. While “Genevieve” is hardly
fraught with symbolism, there is no gesture more
symbolic than the film’s penultimate moment, when Wendy McKim,
fighting back tears, dons the hat to show her husband that she does
love him. How appropriate it was that Dinah’s husband, Aubrey Ison,
stood holding her hat. |
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And how
fitting it was, in light of the love and admiration expressed by the
gathering crowd which surrounded her, when Dinah again
donned the hat just before assuming her rightful place in Genevieve’s
passenger seat. |
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As Quirina
Louwman drove off in Genevieve with Dinah for a quick joyride, she
gave the car’s whistle a few quick blasts which echoed through
Pinewood and sent a chill down the spine of many an on-looker.
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It wasn’t
folly at all, it was simply glorious. |
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Believing
that she was there to present awards, not receive them, Dinah was
taken by surprise when a plaque identical to the ones she had given to
the drivers of the Darracq and the Spyker was awarded to her.
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“I was in
such a daze all day,” Dinah comments. “The cars going past, the
requests for autographs, the people who simply wanted to shake my
hand… it was all lovely and thrilling. One of the best moments for me
was when one of my grandsons – a tall, lanky teenager – turned to me
after it was all over and said, absolutely wide-eyed, ‘I didn’t know
you were so famous!’” |
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The next
two stops on the “Sheridan” Sunday morning route to London underscored
the theme of Genevieve, as valid today as it was fifty
years ago: that grown men spend a great deal of their time acting like
little boys. |
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(Above) The People's Snack
Bar
(To see script excerpt, click for large picture)
(Below) The DeBurgh Arms
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After a
particularly petulant and child-like argument between Alan and Ambrose
(when Wendy accuses the two of “hauling like brooligans”) the four
principals patch up their differences and celebrate with ice cream
cones on the steps of The DeBurgh Arms on Tavistock Road. Rallyists
were pleased to see that the De Burgh has changed very little in fifty
years, and many stopped for ice cream before moving on to the next
location, the Uxbridge Road, where a scene was shot for use a bit
later in the film, In this scene, two actual children
(one of them Henry Cornelius’s daughter) stop the entire race dead in
its tracks because – odd coincidence! – an ice cream cone is dropped
in front of the cars. |
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Many of the
London filming sites are quite familiar… Hyde Park Corner, the Law
Courts, the flurry of scenes shot for the dénouement that were filmed
on and around Westminster bridge. The one well-hidden location is the
exterior of the McKim’s flat on Rutland Mews South. |
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(Above) A Guide to Rutland
Mews
(Click for Large picture)
(Below) "It's not locked, you know."
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Of
necessity, we did not stop, but I returned on my own the next day in
order to walk to the end of the cul-de-sac, where the camera had been
positioned. Though I have pictures of the location on my web site, I
noticed something that no one had ever pointed out to me: the upstairs
windows, out of which Alan McKim leans to let Wendy know that the
front door’s unlocked, are precisely the same today as they were fifty
years ago – though I suspect John Gregson’s close-up was filmed at
Pinewood where a recreation of the upper story must have been
constructed. Nonetheless, I felt as if I had made one tiny discovery
on my own during a weekend when so much “Genevieve” history unfolded
seamlessly and continually, thanks to the work of all the Mid Eastern
Division members who contributed to the rally. |
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Stephen
Curry offers an example of how important a single contribution could
be: Maurice Greenberg had managed to obtain permission, through Lord
Weatherall from Black Rod, for the veterans to use the Parliament car
park at the rally’s end. Stephen reports that many
members, through contributions of time and energy both small and large
were responsible for creating the rally as we experienced it. |
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The
generosity of the group may well be best represented by an
off-the-cuff remark made by Maureen Hawley to her son, Clive Jr. I should
mention that Maureen’s husband Clive was the ringleader of a bunch of
London-Brighton Runners, nearly three years ago now, that I happened
to meet in the bar of my London hotel. So pleased were they when I
told them that I had come over from America just to see the Run that
they invited me to the opening reception, introduced me to the Ellams…
and incredibly and highly improbably… I was off and Running. |
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Back to the
picnic: Maureen noticed that Clive had wandered away from the group
and was involved in animated conversation with someone over in the
portion of the park that overlooks the Thames. |
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“That
Clive,” Maureen said, with a shake of her head, “…He’ll talk to
anyone!” |
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To which I
replied, “And thank God for that!” |
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Speaking in
my official capacity as American Nutter, thanks to
all the members of the Mid East Section of The Veteran Car Club for
providing a weekend I never could have imagined… and never will
forget. |
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This report on the "Genevieve 50
Years On" Rally appears in slightly modified form in
Veteran Car, The Gazette of the Veteran Car Club of Great Britain
Number 286, October 2002
Michael Edwards produced a brilliant two-hour video of the "Genevieve 50
Years On" Rally.
Contact me if you'd like to purchase a copy, and I'll forward your
request to Michael. |
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